Lila Johnson was the Valedictorian and Ellen Suominen was the Salutatorian of their classes, and their respective speeches were printed in the paper. The commencement program was detailed, as was the baccalaureate sermon, given by Superintendent A. L. Winterquist. There was a small photo of the seniors, as well as their class history and a Who's Who of the Senior class listed with the organizations in which they participated by year. A Luther League meeting and program was announced. Also included was a senior class will and prophesy section. The 4-H Club presented a three act comedy play. There was 4-H Club Achievement Day in Cloquet. The senior class hall of fame was listed. Basketball players were given awards such as sweaters and letters. The seniors were entertained at a banquet given at the Winterquist's home, by the Winterquists, with a meal, games, and contests. The seniors motored to Cloquet to have their photos taken at a studio. Members of the Lincoln School orchestra were listed along with the instruments they played. George Kivisto won honors at an invitational track meet held at Cloquet, winning first place in the discus throw and setting a new record, as well as winning third place in shot-put. Seniors were honored at a banquet put on by the juniors. The girls' volleyball and indoor baseball tournaments were held at Lincoln School. A boys' and girls' track tournament was held at Barnum. Boys' track members attended an invitational meet at Cloquetd. Girls who participated in spring sports were named. There were advertisements by the following businesses: Juntti Bros.; Arrowhead Cooperative Creamery; and Cloquet Cooperative Society.
Volume 2, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in 1976. Contents include the Minnesota Artists Exhibition Program; proposal of various committees for MCC; report on the National Endowment for the Arts' Master Craftsman Apprenticeship Program; potter Nils Lou and apprentice Howard Kiefer; the Twin Cities Metropolitan Arts Alliance; information on services, health insurance, taxes, legal assitance, and other legal issues for artists; the formation of a gallery and studio space for the Women's Art Registry of Minnesota (W.A.R.M); and summary of the 1976 Minnesota Crafts Festival.
Volume 1, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in 1976 and is labeled the Snap Shot Show. Contents include an editorial on the art community and the artist's relation to society; a no-jury snap shot show featuring 82 slide images of works created by Craft Connection readers; and tips for taking good slide images, including information on cameras, types of lighting, lighting set up, and image storage.
Volume 1, number 3 of Minnesota Crafts Council (MCC) Craft Connection was published in 1975 and is centered around art fairs. Contents include reflections on art fairs; Nelson Brown's art fair List; personal reflections on juried art fairs; collection of thoughts on art fairs from artists; profiles of popular midwest art fairs (Lakefront Festival of Arts, 57th Street Art Fair, Ann Arbor Street Art Fair, and Minnesota Craftspeoples Festival); art fair questionnaire; Twin Cities first Street Artist Guild; order forms for a corks sale at Minnesota Clay Company; order forms for the Lien Kick Wheel from Atypical Woodwork & Design; and a review of Pyroman Meets Gorilla, a workshop with clay artists Don Reitz and Peter Voulkos.
Volume 3, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1977 and is centered around marketing crafts. Contents include a note on the publication's new logo and look designed by Jan Van Dyke; call for artists for the year's Minnesota Crafts Festival; profile of glass artist Dick Huss; profile of abstract painter and stained glass artist Eric Sealine; three craft shops (Art Crate, Behind-the-Brewery Gallery, and Stoneflower Contemporary Crafts) and their differing business approaches; The Brewery Works, a brewery complex repurposed into a studio and gallery space; profile of potter John Coiner; art gallery cooperatives The Fourth Street Gallery, Pioneer Crafts Co-op Store, and Cedar Workshop; and a report on the National Association of Handcraftsmen's marketing conference and session and workshop summaries. Also includes a newspaper insert about John Coiner.
Volume 4, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1978 and is centered around collecting. Contents include a profile of jewelry artists and metalsmiths Mike and Carolyn Lenz; art and craft collecting; professional craft collecting; collections of functional ceramics; collectors in the North Lake Superior region; Art Morrison's journey collecting Mexican clay figures; and an extensive list of upcoming art fairs across the midwest.
Volume 3, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in August 1977 and is centered around traditional crafts. Contents include a report 1977 Minnesota Crafts Festival, including award winners and statistics; profile of blacksmith Dan Kral; an extensive list of upcoming art fairs across the midwest; crafts at Gibbs Farm Museum; Columbia College's Ethnic and American Folk Arts Project to preserve traditional craft skills; and a show of American pottery dated from the colonial period to 1910.
Volume 3, number 6 of Minnesota Crafts Council (MCC) Craft Connection was published in December 1977 and is centered around craft education. Contents include a report on the MCC Annual Meeting from various committees; profile of potter Donald Frith; Minneapolis's Urban Arts program, which offers art instruction to students; a history of crafts at the University of Minnesota; art spaces in colleges and universities; Minnesota's Arts in Corrections program, which offers art instruction to incarcerated juveniles; and photographs from 'Media Exploration' workshops sponsored by the Minneapolis College of Art and Design.
Volume 3, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in February 1977. Contents include a note from the editor about the publication's new tabloid format and subscription price; news about the MCC membership meeting and standing committees; profile of ceramic artist Dr. Paul S. Donhauser, the first American to receive first place honors in the International Competition of Ceramics in Faenza, Italy; the Craft Alliance Gallery in Missouri; level of support for crafts in Minnesota's art institutions; photographs of artworks from an MCC juried exhibition and statement from judge Martha Benson; the Wisconsin Designer-Craftsmen organization; the Rochester Art Center; the recent opening of Kichang Cho's Mano Galleries in Illinois; the challenges of running an ultimately unsuccessful gallery; review of the 'Craft Multiples' exhibit at the Octagon Center for the Arts; and a national conference about marketing crafts.
Volume 4, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in February 1978 and is focused on wood crafts. Contents include a profile of wood artists Donna and Robert Pitz; six wood craftsmen who share a studio space; working as a self-employed artist; depictions of lumberjack life at the turn of the 20th century; reflections from midwestern wood artists; and the 'Supermud' clay conference in Pennsylvania.
Volume 21, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1997. The story on the front page profiles basket maker Keith Raivo. Other contents include the celebration of the 25th Minnesota Craft Festival; Margaret Gordon, winner of the Fiber/Metal Arts Pursuing Excellence award; the closure of Craft Connection Gallery; expanded categories of MCC membership; and a strategic plan proposal from the MCC Board of Directors.
Volume 14, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1990. On the front page is a photo of a lap robe by weaver Nann Miller. Other contents include a letter from Congressmember Gerry Sikorski regarding the Helms amendment to the Interior Department and Related Agencies Appropriations Bill; information about the 1990 MCC Annual Meeting, including some highlights of Red Wing, the meeting's location; spotlights on five galleries in the 50th and France Avenue area of Minneapolis (New Dawn Gallery, Off the Wall, Mixed Media, White Oak Gallery, and Raven Gallery); profile of multimedia artist Lynette Schmidt; monthly highlights from MCC in 1989; the Craft Emergency Relief Fund and the creation of a Bay Area Earthquake Fund in response to a California earthquake; the 'Arts Over Aids' Task Force; and two exhibitions in Leigh Yawkey Woodson Art Museum in Wisonsin ('The Twelve Days of Christmas,' and "American Folk Art from the Milwaukee Museum).
Volume 22, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1998. On the front page is a photo of glass artist Joe Becker at work. Other contents include the partnership between MC, the Minnesota Historical Society (MNHS), and MNHS Curator Marcia Anderson; a series of pottery workshops with Svend Bayer; potter Maureen Brockway and her work in establishing the Edina Art Center; profile of Joe Becker; a list of local, regional, and national summer workshops; and award winners fron the recent Fiber/Metal Arts show.
Volume 13, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1987. On the front page are photos of various works by glass artists. Other contents include an entry form for the Minnesota Visual Arts Directory; crocheted bags by Eileen Troxel; the inaugural show at the newly relocated American Craft Museum; brief recap of the Fibers Minnesota '86 show; the physical aspects of crafts; glass blowing and glass art; Edgewood Orchard Gallery; profile of glass artist Craig Campbell; exhibitions at the Art Center of Minnesota featuring local artists Nancy Gipple and Leslie Hawk; and the installation of a fiber art mural by Ned Souder at St. John's Northeast Hospital.
This issue of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1988. (The issue is not labeled with a volume number, however, subsequent issues from 1988 are labeled as volume 9.) Contents include the new MCC President Lynn Anderson; the 1988 MCC Annual Meeting and other new officers; profile of weaver Susan Saari; American Craft Expo '88; the creation of a Minnesota Made symbol for Minnesota craftspeople; and Three Rooms Up gallery owner Patty Burrets.
Volume 17, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1993. The story on the front page profiles a number of local craftspeople, including sculptor Denise S. Tennen, metalsmith Stephen Brown, furniture maker Charles Preble, and weaver Karen Jakse. Other contents include various craft artists sharing their methods for getting over a creative block; a review of 'A Woman on Paper: Georgia O'Keefe,' a book by Anita Pollitzer; summary of the 1993 MCC Annual Meeting; the first chapter of the beginnings MCC; a note from MCC President Barbara Hager on aesthetics and the market; and a summary of a slide workshop with photographer Wayne Torborg.
Volume 26, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 2000. On the front page is a series of photos of MCC artists and artworks. Other contents include information on the upcoming MCC Annual Meeting; the Charitable Giving Tax Relief Act and giving to MCC; an Economic Impact Study in North Carolina and the possibility of conducting a similar study inthe midwest; photos and award winners from the 1999 Fiber/Metal show; and reflections from artists about how MCC has influenced their careers as MCC celebrates its 25th anniversary.
Volume 11, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1985. On the front page are photographs of kiln building. Other contents include comments on wholesaling; the departure of Ad Sales Manager and longtime MCC volunteer Joan Chalmers; profile of potter Linda Christianson; the upcoming Annual Meeting in February; The Artisans' Cooperative in Santa Cruz; the glass exhibition 'Timeless Motion: The Art of Glass in Transition'; two galleries on Grand Avenue (Grand Frame and Gallery and Hmong Handwork); advice on taking good slides of crafts; clay jewelry-maker Joyce Yamamoto; review of and exhibition of Riki Kšlbl Nelson's works at Steensland Gallery; and the closure of By Design gallery.
Volume 12, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1986. On the front page are photos of glass artist Steve Maslach and potter Catharine Hiersoux. Other contents include the busy holiday craft season; a letter in response to an article on textile arts from the Minneapolis Star and Tribune; the upcoming Annual Meeting and its focus on business strategies; summary of 'A Minnesota Made Holiday '85' event; the First Annual Governor's Award in the Crafts organized by Governor Rudy Perpich; a business strategies workshop with Catharine Hiersoux, Steve Maslach, and Candiss Cole; and the opening of Art Dock craft gallery in Duluth.
Volume 15, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1991. On the front page is a photo of knitters Jacky Rayman and Susan Meisner at a retreat. Other contents include the announcement of the end of the publication 'Artscape'; a knitting retreat started by Susan Saari; the Collective Visions gallery, a collective of women artists; Minnesota Hands, the organization involved with planning local events for the Year of American Craft 1993; exhibition of Minnesota bead artist Diane Fitzgerald at the International Bead Conference; and the creation of the Crafters' Insurance Program.
Volume 19, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1995. The stories on the front page profile jewelry maker Dale Connors and felter Carol Sperling. Other contents include reflection on why craftspeople do the work that they do; the 1995 National Council for Education in the Ceramic Arts (NCECA) conference and the spiritual experience of working with clay; highlights from past first quarter issues of Craft Connection; designing the displays at the Craft Connection Gallery; various comments on which craft shows artists apply to and why; summary, co-sponsors, and award winners from the Fiber/Metal '94 show; and the American Craft Association's draft of business practice rules.
This issue of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1989 and is labeled as volume 10, number 1. On the front page is a photo of pottery by Sarah Singer. Other contents include a profile of potter Sarah Singer; review of 'The Eloquent Object' traveling exhibition; review of the 'Clay Revisions' exhibition; review of 'The History of American Ceramics,' a book by Elaine Levin; and the 'Midwest Clayworks' exhibition at the University of Northern Iowa.
Volume 6, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1980. The theme for this issue is clothing. Contents include a summary of the MCC Annual Meeting; summary of the 1979 MCC Annual Juried Exhibition; profiles of five Twin Cities women who make and sell clothing (Amy Downs, Edna Gonske, Pat Anderson, Mary Ellen Stewart, and Pat Penshorn); profile of textile artist Kurt Beutow; fashion and clothing design; weavers' study groups; and MCC officers sharing their MCC memories.
Volume 7, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1981. The theme of this issue is artists who continue their craft while taking on new sideline roles. Contents include the Groveland Gallery; the use of crafts and commissioning of craftspeople in the interiors business; MCC's project to compile a sourcebook of craftspeople; Wisconsin Designer-Craftsmen; quilt pattern design; quilt shop Glad Creations; working between two or more fields; the National Crafts Planning Project from the National Endowment for the Arts; the various side paths a craft career can take; reflections on sideline work from potter Wayne Branum; marketing and earning money from crafts; and mending and repairing.
Volume 8, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1982. The the front page contains writings on the aesthetics, function, and use of crafts. Other contents include the announcement of Craft Connection's new editor Reinder Van Til; the founding of the cooperative 5th Avenue Gallery of St. Cloud; the 1981 MCC Annual Meeting; copyright protection for artists; producing and selling pottery to restaurants; By Design gallery and co-directors Sue Nardie and Nancy Gruver; profile of the Whiteway family and their craft displays, shop, and restaurant; commission weaving; the newly-formed Iowa Association of Visual Artists; Surface Design Minnesota's show of wearable art; and the Craftsmen's Gallery in Omaha.
Volume 10, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1984. On the front page is a photograph of dancer Lois Cato modelling a tutu by Teresa Nomura. Other content include comments on the MCC Annual Meeting moving to a January date and the lull in work after the holiday season; profile of glass artist Morris Lillethun; basic legal principles for craftspeople; viewing crafts with a fresh eye, the 'Meet the Maker' exhibition at By Design, and the 'American Ceramics from Mid-Century' at the Minnesota Museum of Art; photographs of displays and sales from the past holiday season; review of Teresa Nomura's fabric art exhibition 'Opposites Attract' at SACK's Gallery; review of the Raven Gallery's First Invitational Craft Show; and a review of an exhibition of potter Tom Kerrigan's work at By Design.
Volume 5, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1979 and is centered around wholesaling and retailing. Contents include Craft Connection's new subscription price and production schedule; pet peeves of working with artists and galleries; profiles of Minnesota quilters; using computer programs in quilt design; fundraising efforts in Ohio to build art and craft spaces; profile of fiber craftsman Jay Gage; profile of stained glass artist Gabriel Cartwright; tips on selling work; experiences in wholesaling and retailing; Fibrecations, Inc., a corporation providing a showroom for fiber artists; laws regarding artist-gallery transactions and how they affect an artist's business; travelling juries; The Octogon Center for the Arts; reflections on an apprenticeship with fiber artist Muriel Nezhnie Helfman; and a brief biography of artist and teacher Edna Dittus.
Volume 9, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1983. The story on the front page is about woodworking in Minnesota and the Minnesota Woodworkers Guild. Other contents include messages from MCC's retiring President Nann Miller and new President Ken Davenport; summary of the MCC Annual Meeting; rug maker Dorothy Sauber's exhibition in Washington, D.C.'s Textile Museum; selling art through consignments; summary of a glass workshop at Semi Automatic Glass with Richard Marquis; Wayne Crim, woodworker Ray Kyler, and their redwood furniture shop Waynecraft Industries; the beginnings of the Fine Woodworking Company custom shop; Ojibwa art and woodcarver, beadworker, and jewelry maker Duane Goodwin; and a review of Roy Strassberg's 'Demolition Vessels' exhibition.
Volume 31, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in 2003. On the front page is a photo of the Minnesota History Center, the future site for the 2003 Minnesota Crafts Festival. Other contents include Governor Pawlenty's proposal to cut arts funding; Minnesota State Arts Board's budget plans; a teapot building workshop at the New London Art Center with Mei-qun Gu, Guang Gzhen Zhuo, Craig Edwards, and Emily Deuth; past venue changes of the Minnesota Crafts Festival and information on the new venue; and reviews of digital cameras for photographing art.
Volume 20, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1996. The story on the front page profiles paper artist and basket weaver Ann Hall-Richards. Other contents include electronic communication information for artists; summary of the 1995 Fiber/Metal Arts show; reflections on a summer at Anderson Ranch Arts Center and learning from other disciplines in craft; planning the upcoming Minnesota Craft Festival; review of 'Homo Aestheticus,' a book by Ellen Dissanayake; and the death of artist Joseph O'Connell.
Volume 18, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1994. The story on the front page profiles porcelain artist Maureen Brockway. Other contents include the Mall of America and the value of individually made crafts; a talk by Philip Rawson on art and craft; reflections from six paper artists (Thomas Grade, Susan Mackin-Dolan, Sharon Lynn Ivicevik, Catherine Nash, Jeanne Jaffe, and Carole Komarek); a summary of the holiday party and a recipe for a savory bread pudding; and the decline in mainstream popularity of clay.
Volume 29, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 2001. On the front page is a color photo of dyed silk by RuthAnn Mazrim. Other contents include award winners and photos of works from Fiber/Metal 2000; the upcoming MCC Annual Meeting; public funds for artwork and taxation of nonprofit organizations; and brief profiles of nine midwest galleries (by Many Hands, Gallery 702, Lizzard's Art Gallery and Framing, Seasons on St. Croix, Northern Clay Center Sales and Exhibition Gallery, The Artisans, LXN Studio and Gallery, Ripple River, and Studio 56).
Volume 25, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1999. Page 1, 2 and 16 of this issue are labeled with the year 1998. On the front page are photos of woodworker Charles Preble and his work. Other contents include an update on the strategic plan; the Textile Center of Minnesota; a grant to help manage the MCC web site; the unveiling of the newly renovated Paramount Arts District; profiles of multimedia artist James Tracy and wood artists John Berglund and Charles Preble;and photos and award winners from the recent Fiber/Metal Arts show.
Volume 30, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 2002. On the front page is a color photo of a glass plate by Angelo Fico. Other contents include the Art with Heart program to support the September 11 Fund; MCC goals and strategic planning for the coming years; profiles of glass artists Patrick Casanova, John Salisbury and the staff at Gaytee Stained Glass, and Jon Offutt; the upcoming MCC Annual Meeting to be held at the new Textile Center of Minnesota; and award winners for Fiber/Metal 2001.
Volume 16, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1992. The story on the front page features the organization Surface Design Minnesota. Other contents include a summary of the MCC Annual Meeting; spotlights on four galleries in Duluth (Art Dock, Art Options, Endion Station, and Made in the Shade); the glass 1991 Minnesota Crafts Festival Awards created by Craig Campbell; being a part of the creative community at the Minnesota Crafts Festival; the creation of the Dayton Hudson Artists Loan Fund; review of 'The Horse's Mouth,' an autobiography of a fictional artist by Joyce Carey (a correction in the following issue of Craft Connection attributes Barbara Hager as the author of this review); and the 11th Annual Leading Craft Competition.
Volume 10, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in the fourth quarter of 1984. On the front page is a photograph of weaver Else Bigton and wood carver Phillip Odden. Other contents include women crafters; interview with silkscreen and sumi-e artist Susan Christie-Kellman about her experiences in China; summary of a survey about crafts in museums; profile of Norsk Wood Works co-proprieters Else Bigton and Phillip Odden; the distinction between handmade and handcrafted items; a maker's relationship with an object and what makes an item handcrafted; exhbition of the 1984 Minnesota Crafts Festival award winners; the "art to wear" movement; review of Leonard DuBoff's book "The Law (in Plain English) for Craftspeople"; review of an exhibition of clay houses by Wayne Branum; and "The Weaver's Journal" moving headquarters to St. Paul.
Volume 7, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in the fourth quarter of 1981. The story on the front page is a reflection on Bishop Hill, Illinois and its crafts. Other contents include a reflection on juried shows in Illinois; crafts in Mineral Point, Wisconsin; writings on spaces; profile of potter Henry Joe and the pottery program at Knox College; craft collector Jeanne Blines: and an interview with potters Gail and Rick Hintze.
Volume 21, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in the fourth quarter of 1997. The story on the front page is about the upcoming 1997 Fiber/Metal Arts show and briefly profiles feature artists Anna Carlson, Marcia Engeltjes, Jan Friedman, Susan Hammes-Knopf, Steff Korsage-Browne, Mike Marthaler, Colleen Tabaika, Jeff Zachman, and Penelope Trudeau. Other contents include MCC's approval for a general operations grant from the Minnesota State Arts Board; the future of MCC; the Goldstein Gallery; photographs of work to be displayed at the Fiber/Metal Arts show and a list of artists; MCC artists' successes at the Americans for the Arts National Conference's Art Market; and 1997 Minnesota Crafts Festival award winners.