The original design for "Purplicious Fish" was drawn by Mattea, age 10, of Mora Public Library, a branch of East Central Regional Library. Mattea wrote, "My fish is a very happy fish, who likes to swim in her fish bowl all day. But she only stops swimming when she goes in her castle to sleep! She also only eats the pieces of apple Jollly Rancher I giver her too!" The sculpture is part of the East Central Regional Library's Kids Design Glass project. Funded with money from Minnesota's Arts and Cultural Heritage Fund, the project started with a Summer Reading Program art contest for kids 5-10 years old. One child's drawing was chosen from each of East Central Library's fourteen branches. Sculptor Anthony Michaud-Scorza, of Cambridge, Minnesota, then turned each drawing into a kid-inspired blown-glass sculpture.
The original design for "Rainbow Fish" was drawn by Emily, age 10, from the McGregor Public Library, a branch of East Central Regional Library. Emma wrote, "It's a colorful fish. It likes to swim. It eats rainbow fish food. :)" The sculpture is part of the East Central Regional Library's Kids Design Glass project. Funded with money from Minnesota's Arts and Cultural Heritage Fund, the project started with a Summer Reading Program art contest for kids 5-10 years old. One child's drawing was chosen from each of East Central Library's fourteen branches. Sculptor Anthony Michaud-Scorza, of Cambridge, Minnesota, then turned each drawing into a kid-inspired blown-glass sculpture.
A woven swatch in cotton threads, with pencil drawn draft, and notations in ink. Titled "raindrops" it is a 4 shaft lace weave. The 3 items are mounted on card stock. The woven swatch is 6 x 21cm.
The original design for "Six Shooter" was drawn by Hunter, age 8, of Rush City Public Library, a branch of East Central Regional Library. Hunter wrote, "He is a good guy. He is a cowboy from a movie that I like to watch with my uncl. He is half spider." The sculpture is part of the East Central Regional Library's Kids Design Glass project. Funded with money from Minnesota's Arts and Cultural Heritage Fund, the project started with a Summer Reading Program art contest for kids 5-10 years old. One child's drawing was chosen from each of East Central Library's fourteen branches. Sculptor Anthony Michaud-Scorza, of Cambridge, Minnesota, then turned each drawing into a kid-inspired blown-glass sculpture.
Three swatches mounted on cardboard were woven by Hilma Berglund. A hand printed label at the bottom reads "Experiments with textures/look under each one/all are cotton. The upper swatch is labeled "50-50 weave H. B. 24 to inch. The center swatch has two different setts. Below the swatch is printed six-harness twill H.B. The lower swatch has 3 different setts. Under the swatch reads 30 to inch/24 to inch/30 to inch/2 different reeds 4-harness H.B.
Two swatches were woven by Hilma Berglund, on cotton warps with linen wefts. The first swatch (17cm x27.5cm) shows four variations of overshot: ordinary overshot, overshot in summer and winter/ spacing, Italian treadling and sunlight and shadow. Handwritten paper labels are sewn to the back of the swatch. The second (4cm x 38cm) is Bronson Lace. A handwritten draft is sewn to the back of the swatch. A draft, handwritten on graph paper, shows the overshot threading and treadling variations, and Bronson lace threading and treadling.spacing, Italian treadling, sunlight and shadow
The original design for "The Juicy Hanburger" was drawn by Emily, age 10, of Cambridge Public Library, as branch of East Central Regional Library. Emily wrote, "It's a big delicouse, juicy burger. the two slices of bread, the juicy tomatos and the green suspence of the beautiful pickles and magnificent lettece. And the jucyest, delicouse, tasting meat ever!" The sculpture is part of the East Central Regional Library's Kids Design Glass project. Funded with money from Minnesota's Arts and Cultural Heritage Fund, the project started with a Summer Reading Program art contest for kids 5-10 years old. One child's drawing was chosen from each of East Central Library's fourteen branches. Sculptor Anthony Michaud-Scorza, of Cambridge, Minnesota, then turned each drawing into a kid-inspired blown-glass sculpture.
Two swatches woven in cotton threads and draft mounted on heavy paper. The swatches show several treadling variations. The swatches illustrate warp patterning with thick and thin threads. The swatches are 16 x 8 cm and 19.5 x 7.7 cm.
Drafts are presented on a sheet of 18cm by 11cm notebook paper. The title "Two-Color Threadings (Atwater bulletin February 1947)" is typewritten. Five drafts, hand-drawn on graph paper, are glued to the sheet. Treadling order is typed below each draft. Three swatches, woven by Hilma Berglund using cotton carpet warp for both warp and weft, show color and weave variations. Swatch A (labeled using the blank from the side of a sheet of stamps) follows the draft. Swatch B has two variations;, the draft B treadling and the draft D treadling. Swatch C has three sections: light weft, dark weft, and light and dark weft alternating. The first 2 sections have treadling variations.
A woven swatch of uphostery material woven by Hilma Berglund with thread samples and threading and treadling information. The index card reads "Warp: Gray carpet warp, set 15 to inch; Weft: Chartreuse cotton , Blue boucle rayon and cotton, Rose nubby rayon and cotton, red linen for binder; Threading: 4/3/4/1/2/1. C B R red Treadling: 3-4,1-2,3-4,1-3,1-2,3-4,1-2,2-4 Hilma Berglund" C B R red refers to the rotation fo the weft colors throughout the treadling sequence, i.e. Chartreuse, Blue, Rose, Red are repeated.
Five typewritten pages show 100 treadling variations that can be used for four shaft plain or twill threadings. This was part of a group project of the Twin City Weavers' Guild. The 5 accompanying swatches (17cm wide) woven by Hilma Berglund, use cotton carpet warp for both warp and weft demonstrate most of these possibilities. New labels are attached to replace original cellophane tape labels. Note to the text explains her numbering system. The information about the fifth sample is handwritten on cardboard. Scans of the first 4 swatches have the long side folded to show the reverse side of the weaving.