Hilma Berglund printed this Christmas Card in black ink on red cardstock. A sheet of tinted vellum covers the angel imagery on the upper 2/3 of the card, causing the ink to appear green. Three angels and four pairs of wings are arranged in the form of a Christmas tree with a gold star applied at the top.
Hilma Berglund created this card in 1955 on blue paper. It contains both text and a woven sample. The actual card is 34 x 5 cm and when folded fits into a handmade envelope which is 18 x 5.5 cm. The card is printed with purple ink on blue paper. The swatch warp is of multicolor linen and lurex threads, woven with lurex weft. The 2.5 x 2.5 cm swatch is plain weave.
Hilma Berglund printed this Christmas Card with maroon ink on cream paper. The image is a bridge with supports labeled "composure, confidence, perseverence (sic), self-discipline, thoughtfulness, friendliness, cheerfulness, reliability, courtesy, patience."
Hilma Berglund printed this card with black ink on red card stock, then folded. Silver lines were added on the sun image. The card depicts the sun shining down on the earth.
Volume 2, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in 1976. Contents include the Minnesota Artists Exhibition Program; proposal of various committees for MCC; report on the National Endowment for the Arts' Master Craftsman Apprenticeship Program; potter Nils Lou and apprentice Howard Kiefer; the Twin Cities Metropolitan Arts Alliance; information on services, health insurance, taxes, legal assitance, and other legal issues for artists; the formation of a gallery and studio space for the Women's Art Registry of Minnesota (W.A.R.M); and summary of the 1976 Minnesota Crafts Festival.
Volume 1, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in 1976 and is labeled the Snap Shot Show. Contents include an editorial on the art community and the artist's relation to society; a no-jury snap shot show featuring 82 slide images of works created by Craft Connection readers; and tips for taking good slide images, including information on cameras, types of lighting, lighting set up, and image storage.
Volume 1, number 3 of Minnesota Crafts Council (MCC) Craft Connection was published in 1975 and is centered around art fairs. Contents include reflections on art fairs; Nelson Brown's art fair List; personal reflections on juried art fairs; collection of thoughts on art fairs from artists; profiles of popular midwest art fairs (Lakefront Festival of Arts, 57th Street Art Fair, Ann Arbor Street Art Fair, and Minnesota Craftspeoples Festival); art fair questionnaire; Twin Cities first Street Artist Guild; order forms for a corks sale at Minnesota Clay Company; order forms for the Lien Kick Wheel from Atypical Woodwork & Design; and a review of Pyroman Meets Gorilla, a workshop with clay artists Don Reitz and Peter Voulkos.
Volume 3, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1977 and is centered around marketing crafts. Contents include a note on the publication's new logo and look designed by Jan Van Dyke; call for artists for the year's Minnesota Crafts Festival; profile of glass artist Dick Huss; profile of abstract painter and stained glass artist Eric Sealine; three craft shops (Art Crate, Behind-the-Brewery Gallery, and Stoneflower Contemporary Crafts) and their differing business approaches; The Brewery Works, a brewery complex repurposed into a studio and gallery space; profile of potter John Coiner; art gallery cooperatives The Fourth Street Gallery, Pioneer Crafts Co-op Store, and Cedar Workshop; and a report on the National Association of Handcraftsmen's marketing conference and session and workshop summaries. Also includes a newspaper insert about John Coiner.
Volume 4, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1978 and is centered around collecting. Contents include a profile of jewelry artists and metalsmiths Mike and Carolyn Lenz; art and craft collecting; professional craft collecting; collections of functional ceramics; collectors in the North Lake Superior region; Art Morrison's journey collecting Mexican clay figures; and an extensive list of upcoming art fairs across the midwest.
Volume 3, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in August 1977 and is centered around traditional crafts. Contents include a report 1977 Minnesota Crafts Festival, including award winners and statistics; profile of blacksmith Dan Kral; an extensive list of upcoming art fairs across the midwest; crafts at Gibbs Farm Museum; Columbia College's Ethnic and American Folk Arts Project to preserve traditional craft skills; and a show of American pottery dated from the colonial period to 1910.
Volume 3, number 6 of Minnesota Crafts Council (MCC) Craft Connection was published in December 1977 and is centered around craft education. Contents include a report on the MCC Annual Meeting from various committees; profile of potter Donald Frith; Minneapolis's Urban Arts program, which offers art instruction to students; a history of crafts at the University of Minnesota; art spaces in colleges and universities; Minnesota's Arts in Corrections program, which offers art instruction to incarcerated juveniles; and photographs from 'Media Exploration' workshops sponsored by the Minneapolis College of Art and Design.
Volume 3, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in February 1977. Contents include a note from the editor about the publication's new tabloid format and subscription price; news about the MCC membership meeting and standing committees; profile of ceramic artist Dr. Paul S. Donhauser, the first American to receive first place honors in the International Competition of Ceramics in Faenza, Italy; the Craft Alliance Gallery in Missouri; level of support for crafts in Minnesota's art institutions; photographs of artworks from an MCC juried exhibition and statement from judge Martha Benson; the Wisconsin Designer-Craftsmen organization; the Rochester Art Center; the recent opening of Kichang Cho's Mano Galleries in Illinois; the challenges of running an ultimately unsuccessful gallery; review of the 'Craft Multiples' exhibit at the Octagon Center for the Arts; and a national conference about marketing crafts.
Volume 4, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in February 1978 and is focused on wood crafts. Contents include a profile of wood artists Donna and Robert Pitz; six wood craftsmen who share a studio space; working as a self-employed artist; depictions of lumberjack life at the turn of the 20th century; reflections from midwestern wood artists; and the 'Supermud' clay conference in Pennsylvania.
Volume 21, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1997. The story on the front page profiles basket maker Keith Raivo. Other contents include the celebration of the 25th Minnesota Craft Festival; Margaret Gordon, winner of the Fiber/Metal Arts Pursuing Excellence award; the closure of Craft Connection Gallery; expanded categories of MCC membership; and a strategic plan proposal from the MCC Board of Directors.
Volume 14, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1990. On the front page is a photo of a lap robe by weaver Nann Miller. Other contents include a letter from Congressmember Gerry Sikorski regarding the Helms amendment to the Interior Department and Related Agencies Appropriations Bill; information about the 1990 MCC Annual Meeting, including some highlights of Red Wing, the meeting's location; spotlights on five galleries in the 50th and France Avenue area of Minneapolis (New Dawn Gallery, Off the Wall, Mixed Media, White Oak Gallery, and Raven Gallery); profile of multimedia artist Lynette Schmidt; monthly highlights from MCC in 1989; the Craft Emergency Relief Fund and the creation of a Bay Area Earthquake Fund in response to a California earthquake; the 'Arts Over Aids' Task Force; and two exhibitions in Leigh Yawkey Woodson Art Museum in Wisonsin ('The Twelve Days of Christmas,' and "American Folk Art from the Milwaukee Museum).
Volume 22, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1998. On the front page is a photo of glass artist Joe Becker at work. Other contents include the partnership between MC, the Minnesota Historical Society (MNHS), and MNHS Curator Marcia Anderson; a series of pottery workshops with Svend Bayer; potter Maureen Brockway and her work in establishing the Edina Art Center; profile of Joe Becker; a list of local, regional, and national summer workshops; and award winners fron the recent Fiber/Metal Arts show.
Volume 13, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1987. On the front page are photos of various works by glass artists. Other contents include an entry form for the Minnesota Visual Arts Directory; crocheted bags by Eileen Troxel; the inaugural show at the newly relocated American Craft Museum; brief recap of the Fibers Minnesota '86 show; the physical aspects of crafts; glass blowing and glass art; Edgewood Orchard Gallery; profile of glass artist Craig Campbell; exhibitions at the Art Center of Minnesota featuring local artists Nancy Gipple and Leslie Hawk; and the installation of a fiber art mural by Ned Souder at St. John's Northeast Hospital.
This issue of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1988. (The issue is not labeled with a volume number, however, subsequent issues from 1988 are labeled as volume 9.) Contents include the new MCC President Lynn Anderson; the 1988 MCC Annual Meeting and other new officers; profile of weaver Susan Saari; American Craft Expo '88; the creation of a Minnesota Made symbol for Minnesota craftspeople; and Three Rooms Up gallery owner Patty Burrets.
Volume 17, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1993. The story on the front page profiles a number of local craftspeople, including sculptor Denise S. Tennen, metalsmith Stephen Brown, furniture maker Charles Preble, and weaver Karen Jakse. Other contents include various craft artists sharing their methods for getting over a creative block; a review of 'A Woman on Paper: Georgia O'Keefe,' a book by Anita Pollitzer; summary of the 1993 MCC Annual Meeting; the first chapter of the beginnings MCC; a note from MCC President Barbara Hager on aesthetics and the market; and a summary of a slide workshop with photographer Wayne Torborg.
Volume 26, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 2000. On the front page is a series of photos of MCC artists and artworks. Other contents include information on the upcoming MCC Annual Meeting; the Charitable Giving Tax Relief Act and giving to MCC; an Economic Impact Study in North Carolina and the possibility of conducting a similar study inthe midwest; photos and award winners from the 1999 Fiber/Metal show; and reflections from artists about how MCC has influenced their careers as MCC celebrates its 25th anniversary.
Volume 11, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1985. On the front page are photographs of kiln building. Other contents include comments on wholesaling; the departure of Ad Sales Manager and longtime MCC volunteer Joan Chalmers; profile of potter Linda Christianson; the upcoming Annual Meeting in February; The Artisans' Cooperative in Santa Cruz; the glass exhibition 'Timeless Motion: The Art of Glass in Transition'; two galleries on Grand Avenue (Grand Frame and Gallery and Hmong Handwork); advice on taking good slides of crafts; clay jewelry-maker Joyce Yamamoto; review of and exhibition of Riki Kšlbl Nelson's works at Steensland Gallery; and the closure of By Design gallery.
Volume 12, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1986. On the front page are photos of glass artist Steve Maslach and potter Catharine Hiersoux. Other contents include the busy holiday craft season; a letter in response to an article on textile arts from the Minneapolis Star and Tribune; the upcoming Annual Meeting and its focus on business strategies; summary of 'A Minnesota Made Holiday '85' event; the First Annual Governor's Award in the Crafts organized by Governor Rudy Perpich; a business strategies workshop with Catharine Hiersoux, Steve Maslach, and Candiss Cole; and the opening of Art Dock craft gallery in Duluth.
Volume 15, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1991. On the front page is a photo of knitters Jacky Rayman and Susan Meisner at a retreat. Other contents include the announcement of the end of the publication 'Artscape'; a knitting retreat started by Susan Saari; the Collective Visions gallery, a collective of women artists; Minnesota Hands, the organization involved with planning local events for the Year of American Craft 1993; exhibition of Minnesota bead artist Diane Fitzgerald at the International Bead Conference; and the creation of the Crafters' Insurance Program.
Volume 19, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1995. The stories on the front page profile jewelry maker Dale Connors and felter Carol Sperling. Other contents include reflection on why craftspeople do the work that they do; the 1995 National Council for Education in the Ceramic Arts (NCECA) conference and the spiritual experience of working with clay; highlights from past first quarter issues of Craft Connection; designing the displays at the Craft Connection Gallery; various comments on which craft shows artists apply to and why; summary, co-sponsors, and award winners from the Fiber/Metal '94 show; and the American Craft Association's draft of business practice rules.