Pamphlet on the "Statement of the Object of Jesus College, Proposed to be established at the Falls of Saint Anthony, Nine miles by Railway from Saint Paul, the Capital of Minnesota." Describes the aims of the College, its Elementary, Intermediate, and Advanced Class, and includes religious creeds and quotes.
Early years in St. Joseph, Minnesota (1863-1880). Mother Aloysia (Helen) Bath, the first American-born prioress of St. Benedict's Convent, was born in Addison, WI in 1849. Helen entered the community of the Sisters of St. Agnes in Baron, WI, in 1864 and was given the name Sister Agatha. She transferred to the community in St. Joseph, MN in 1871, changed her name to Aloysia, and professed vows there in 1875. Two years later, she was appointed prioress of the community in St. Joseph by Abbot Rupert Seidenbusch, to fill out Mother Antonia Herman's term. Mother Aloysia resigned shortly before her term ended. However, nine years later, she was elected by the community to serve another term as prioress. Though of frail health, Mother Aloysia led the community in beginning the construction of a new convent and academy building in St. Joseph, in accepting four new schools in Minnesota, the American Indian mission in White Earth, MN, and a school in Bismarck. ND. She was an experienced teacher who had been in charge of several schools, including the large school in St. Joseph's Parish in Minneapolis. Mother Aloysia's greatest efforts were spent staffing schools in the face of school controversies and in developing a teacher-training program in the community so that young sisters would be sent out as certified teachers. Her contemplative spirit inspired the sisters to work for a balance in their work and prayer (Saint Benedict's Monastery Archives; McDonald, pages 73-78, 89).
Schools in south-central Minnesota (1876-1909). In 1875, St. Joseph's parish, situated in the heart of Minneapolis, opened a small school for 50 pupils under the care of the Sisters of Charity. The following year, because of an expected increase in enrollment, the Benedictine Sisters from St. Joseph, MN, were asked to assume charge of the school. By 1882, a large new parish school was built. Within 30 years, the enrollment increased to 400 with 8 sisters teaching (Saint Benedict's Monastery Archives).
Cabinet photograph of Truman Elwell Rickard (1881-1948) in winter attire. In 1904, as a University of Minnesota student, Truman Elwell Rickard (composed the music and wrote the original words for "Hail! Minnesota," which became the Minnesota state song in 1945. Rickard later married Grace Larson, a daughter of L.W. Larson, a prominant early Fosston settler.
Controversy over the doctrine of election (or predestination) rocked the Norwegian Synod in the 1880s. A group called the "Anti-Missourian Brotherhood" split off from the Synod and formed its own seminary in Northfield, Minn. The Norwegian Synod then moved its seminary, Luther Seminary, to Robbinsdale, Minn., in 1888. The seminary was housed in the building depicted here which was destroyed by fire in 1895. After the fire, Luther Seminary temporarily met nearby at the Hotel Georgia.
This house at 44th and West Broadway was a rental property owned by Andrew B. Robbins. Pictured out front are from left to right, Alfred Parker, Mrs. Raliegh Parker, Fred Baker Jr. Bakers's Aunt Mrs Guptel and Mrs. Christensen, the blacksmith's wife. The house was struck by kightening and burned to the ground in 1902.
Title from cover. Variant title: National Academy of Design, catalogue, fifteenth autumn exhibition, 1896. Exhibition held November 23-December 19, 1896. Includes list of officers, academicians, etc. of the academy; the jury of selection, etc. for the exhibition; and, an overview of the founders and history of the academy. Includes names of individuals who lent items to the exhibition. Advertisements at back (pages <3>-<6>). Artists are chiefly from New York City, with a few from other states and countries. Includes index of artists and their addresses (pages 51-59) and index of fellows (pages 60-66). MIA object reference: Alexander Grinager, "Boys Bathing" (47.23), p. 30; pencilled notation on front cover: RB 47.262 (old Minneapolis Institute of Art record book number), possibly accompanying the artist's gift of this work to the institute in 1947. MIA Library Archives copy is missing all illustrations, covers, and some pages at front and back. 66, <6> pages: illustrations.
Handwritten document dated 28 April 1898 listing names of 21 early Minnesota Presbyterian Ministers and 14 Elders, from Charles Thayer of Minneapolis, to Brother Covert.
This cartoon shows Uncle Sam, the G.O.P. elephant and the Tariff catching Cold Storage in the act of raiding a pantry containing eggs, butter, and other foods.
Depositors are walking into the U. S. Postal Savings Bank, which is shown as occupying a giant Uncle Sam's hat. In the background are homes and factories.
This cartoon, published on April 11, 1903, in the Minneapolis Journal, portrays Tom L. Johnson, Cleveland mayor and Democratic contender for his party's nomination for both the Ohio governor's race and the presidential election. Johnson is shown driving an automobile labeled "Auto-Reform" past "Aunty Democracy." Johnson's car is kicking up clouds of dust representing his radical ideas and Socialism. Behind, the Democratic donkey plods along, his ears marked "Old Ideas Dem." The published cartoon's caption read, "A little too fast for Aunty," with the sub-caption, "Aunty Democracy--The odor's pretty bad, Tom--Your new-fangled rig may be all right, but I guess I'll stick to the old donkey yet awhile."
Minnesota Governor John Lind and Minnesota State Democratic Central Committee Chairman L. A. Rosing are shown standing outside the Parker Stables, hanging onto a rope attached to the Minnesota Democratic donkey, who is being tempted by William Randolph Hearst with a pail marked by a dollar sign and containing ears of corn. This cartoon appeared in the Friday, April 1, 1904, edition of the Minneapolis Journal and refers to Minnesota political attitudes toward two of the contenders for nomination to run for president on the Democratic ticket, Hearst and Judge Parker.
Published on the front page of the March 2, 1904, edition of the Minneapolis Journal, this cartoon depicts a husband and wife having coffee at their dining room table. The husband is shaking salt onto the front page of the "Daily Newspaper," whose headlines include "Gigantic Victory for Russian Arms." In the published version, which includes caption and dialog, the wife asks, "Why, John, what in the world is the matter?" He replies, "I'm just taking this St. Petersburg story with a little salt." This is a reference to public response to unconfirmed reports coming from St. Petersburg, Russia, that Russian army forces had overwhelmingly defeated Japanese forces in a land battle in northern Korea, and that a sea battle near Port Arthur had resulted in the sinking of Japanese boats.
Published in the Thursday, May 12, 1904, edition of the Minneapolis Journal with the caption "The Hoosier School Boy," this cartoon refers to the Indiana Democratic state convention, where Hearst followers challenged the convention majority, which had supported Judge Parker, by claiming unfair treatment. The claims were defeated, and the convention "instructed for" Parker. National Committeeman Thomas Taggert is portrayed as the teacher, while Hearst and the Indiana Democratic Convention are portrayed as school boys, one a privileged prankster, the other a poor pupil who reads aloud the instructions for Parker and Taggert.
Registration list of attendees at the 16th annual meeting of the Minnesota Library Association (MLA), which took place on June 23rd, 1908 at Tonka Bay Hotel, Tonka Bay, Minnesota. There was no formal program in 1908 because of the American Library Association Annual conference.
Title from cover. Reprint. Originally published: Proceedings of the American Association of Museums. Vol. 11 (1908). Koehler gives a presentation on the requirements and considerations for establishing an art museum based on his experiences for planning facilities at the Minneapolis Institute of Art and the Minnesota State Art Society. 1 unnumbered page, pages 125-131.