This booklet is the catalog and notes to an exhibition of weavings by Hilma Berglund. The cover includes an illustration of a floor loom with all of the parts labeled. The catalog opens with an essay by Laurence Schmeckebier, Department of Fine Arts, University of Minnesota. The rest of the booklet lists and describes each work. The pieces are samples of a wide variety of weave structures.
Hilma Berglund printed this Christmas Card in black ink on red cardstock. A sheet of tinted vellum covers the angel imagery on the upper 2/3 of the card, causing the ink to appear green. Three angels and four pairs of wings are arranged in the form of a Christmas tree with a gold star applied at the top.
This is the page of printed instructions from the Minnesota Loom. These assembly instructions were packed with the Minnesota Loom, which was designed and distributed by Hilma Berglund.
Hilma Berglund created this card in 1955 on blue paper. It contains both text and a woven sample. The actual card is 34 x 5 cm and when folded fits into a handmade envelope which is 18 x 5.5 cm. The card is printed with purple ink on blue paper. The swatch warp is of multicolor linen and lurex threads, woven with lurex weft. The 2.5 x 2.5 cm swatch is plain weave.
Hilma Berglund printed this Christmas Card with maroon ink on cream paper. The image is a bridge with supports labeled "composure, confidence, perseverence (sic), self-discipline, thoughtfulness, friendliness, cheerfulness, reliability, courtesy, patience."
Hilma Berglund printed this card with black ink on red card stock, then folded. Silver lines were added on the sun image. The card depicts the sun shining down on the earth.
January 1960 correspondence between Nancy Iona of Denver, Colorado and Hilma Berglund concerning details of Twin Cities Weavers Guild structure. Rocky Mountain Weavers Guild is seeking advice concerning membership requirements and participation.
Thisbooklet, written by Hilma Berglund, consists of 8 pages and a cover. It contains recommendations for mordanting, equipment, dyestuffs and fibers. It includes directions for the dye process and a chart of plants, mordants and resulting colors. The colors are identified using the Munsell Color System notations.
A woven swatch in green and off-white cotton threads, mounted on cardstock, woven by Hilma Berglund. The weaving is 8 x 13.5. The title "Eight-Harness Double Weave" is hand printed by Hilma Berglund.
A report of the Twin City Weavers' Guild participation in the How-to-do-it show sponsored by the St. Paul Junior Chamber of Commerce in Feb 1955 describes the booth exhibit and weaving demonstrations. The exhibit included two handwoven men's suits and other items. Two demonstration looms featured a Structo table loom and a foot-powered loom warped for evening bags and towels. The report is submitted and signed by Hilma Berglund. The second page details items in the exhibit and their insurance value, a list of equipment and demonstrators, and a list of members who manned the booth.
Hilma Berglund created this Christmas card in 1969 using green ink on a 6 3/8inch (16.2 cm) diameter white cardboard circle. Line drawings of nature decorate the inner part of the circle. Printed in the center is her name encircled by Happy Christmas 1968 and New Year 1969.
Hilma Berglund created this Christmas card in 1945. It is hand lettered in brown ink on off-white stationery. Samples of natural dyed wool yarns are inserted along the left side. Three dark brown strands represent a tree trunk. These are interwoven with 1 inch strands of pale green, light brown, rust and gold yarns representing branches. The card when opened measures 18.5 x 15.3 cm.
Hilma Berglund created this Christmas card in 1959. It is printed in red ink on tan card stock and has a matching envelope. The text is bordered by two woven swatches. The upper swatch is white with metallic thread and the lower swatch is multi-colored. The card measures 17.5 x 10.5 cm, the envelope is 11. 5 x 14.25 cm.
Hilma Berglund created her 65th and last handmade Christmas card in 1971. It is printed in black ink on tan paper. The bottom third of the paper is folded up with a window cut out to frame a woven swatch. The swatch is woven in shades of brown, aqua and orange, using cotton threads, with one gold metallic thread, in plain weave. The card folds to form its own envelope. A type written note is inserted which says that it is her last Christmas card. On the reverse is a handwritten note. The card when opened is 19 x 16 cm.
Hilma Berglund created this trifold card in her 24th year of teaching at the University of Minnesota. It is printed in red ink on off-white paper. The card features a printed image of a horn and a pair of cymbals. A cardboard frame filled with fine linen threads covers the image.
Hilma Berglund wrote this letter to Clyde Dunbar of Arkansaw, Wisconsin, Twin City Weavers' Guild member. It is dated March 16, 1945. Hilma talks of building her house, her classes at the University of Minnesota, the growth of the new Twin City Weavers' Guild and invites him to the Guild's first exhibition at the Minneapolis Public Library. She also invites him to visit her weaving class at the University of Minnesota.
This card has been glued onto its envelope. Hilma Berglund printed this card in purple ink on cream colored card stock. A tiny (1 x .75 cm) purple woven sample is glued onto the image of the table loom that she designed. Threads from the weaving radiate from the loom to a list of west coast cities that she visited. When posting the card, Hilma chose ink and stamp colors to match the card.
Hilma Berglund created this Christmas card in 1958. It is printed with green ink on off-white cardstock, when folded it creates its own envelope. The lines of the text form the shape of the state of Minnesota.
This 3 page typewritten report, written by Hilma Berglund, describes the 1955-1960 history of the Minnesota Weavers' Guild. During this period the guild began meeting at the Minneapolis Y.W.C.A., which gave them access to classroom/meeting space four days a week. Regular classes were held, using donated and purchased looms. By 1960, the guild owned ten looms, including a memorial loom used by members only for group projects. This also allowed for permanent library space. In 1956 the first member sale was held. Membership remained steady at an average of 105 members. Programs and other member activities are listed.
Name-weaving instructions from the Handweaving Workbook by Heather Thorpe. The text of the card describes the process to translate the name "Hilma Berglund" into an overshot weaving draft.
Hilma Berglund screen-printed this Christmas card in 1966 using dark blue ink on ivory card stock. There is a matching envelope and enclosed letter on ivory paper. The top features a nature scene with birds, ferns, flowers and mushrooms silhouetted against a blue background. The card measures 12.4 x 14.5 cm.
Two swatches were woven by Hilma Berglund, on cotton warps with linen wefts. The first swatch (3cm x 28cm) is Summer and Winter. A hand-printed paper label is sewn to the back of the swatch. The second (4cm x 16.5cm) is labeled "Crackle Weave/spacing used here. The swatch appears to have been mended. Acompanying the swatches is a vintage copy of the drafts and instructions that were sent to Twin City Weavers' guild members inviting them to send in results of their experiments with the two weave structures.
A woven overshot swatch in cotton threads in "Pine Bloom" pattern, with ink drawn draft and notations. These are mounted on cardboard with notation "Pine Bloom page 121 in my notebook H B". The swatch is 11 x 15.5 cm.
This is a typewritten report from Hilma Berglund, president of The Minnesota Weavers' Guild, dated May 7th, 1959. It is an annual report, with handwritten corrections and signature.
A woven swatch in cotton threads, with pencil drawn draft, and notations in ink. Titled "raindrops" it is a 4 shaft lace weave. The 3 items are mounted on card stock. The woven swatch is 6 x 21cm.
This card has been glued to its handmade envelope. Hilma Berglund printed this card with red ink on tan paper. The card is accordian folded with progressively wider folds, which when opened reveal stanzas of a poem. An image of waves trims the bottom edge.
Hilma Berglund printed this card in red ink on bright gold cardstock. At the top is an image of the sun rising, and a magnifying glass image highlights the words "search" and "good" in the text. There is a matching envelope. When open the card measures 21.5 x 10.5 cm.
Hilma Berglund screen-printed this Christmas card in 1967 using reddish brown ink on cream cardstock. The card is cut into a triangle and sand particles are glued along the two long edges. The card was accompanied by her 1967 Christmas letter. The card measure 8.3 x 21.5 cm.
This card has been glued onto a scrapbook page. Hilma Berglund printed an image of the sky line as viewed from her home. It is printed in brown, yellow and orange ink on cream paper.
Hilma Berglund printed this Christmas card in 1965, using dark brown ink on bittersweet paper, trimmed with yellow and orange paper. Below the fold she applied a light wash of ink to create a slightly darker background. The card when unfolded is 10.3 x 22.5cm.
Hilma Berglund created this Christmas card in 1964. She reverse printed it on yellow card stock using purple ink so that the lettering and star design show as yellow on a purple background. There is a matching yellow envelope. The card is 16 x 8.25 cm.
Three swatches mounted on cardboard were woven by Hilma Berglund. A hand printed label at the bottom reads "Experiments with textures/look under each one/all are cotton. The upper swatch is labeled "50-50 weave H. B. 24 to inch. The center swatch has two different setts. Below the swatch is printed six-harness twill H.B. The lower swatch has 3 different setts. Under the swatch reads 30 to inch/24 to inch/30 to inch/2 different reeds 4-harness H.B.
Two swatches were woven by Hilma Berglund, on cotton warps with linen wefts. The first swatch (17cm x27.5cm) shows four variations of overshot: ordinary overshot, overshot in summer and winter/ spacing, Italian treadling and sunlight and shadow. Handwritten paper labels are sewn to the back of the swatch. The second (4cm x 38cm) is Bronson Lace. A handwritten draft is sewn to the back of the swatch. A draft, handwritten on graph paper, shows the overshot threading and treadling variations, and Bronson lace threading and treadling.spacing, Italian treadling, sunlight and shadow
Hilma Berglund created this Christmas card in 1961. A general holiday letter is included with a handwritten note at the bottom. The card is printed in burgundy ink on gray paper, with a matching envelope. When open, the card measures 21.5 x 16.5 cm. The envelope is 11 x 17 cm.
This three page typewritten report, written by Hilma Berglund, summarizes the history of the Minnesota Weavers' Guild from 1960-1965. During this time, the Guild continued to meet and teach classes at the Minneapolis Y.W.C.A. Malin Selander of Orebro, Sweden, was the teacher for two workshops. A third workshop was conducted by Mrs. Weyman of Illinois. Other guild programs, events and speakers are listed.
This 4 page typewritten report, written by Hilma Berglund, describes the first five years of the Twin City Weavers' Guild. It lists officers and charter members, membership statistics, the first three weaving institutes held at the University of Minnesota, and other activities of the Guild. Guild meetings were held at the Walker Art Center, Minneapolis Minnesota. A list of guild activities by date is included.
This 4 page typewritten report, written by Hilma Berglund, describes the second and third five years of the Twin City Weavers' Guild. It describes membership growth, programs and exhibits. Four weaving institutes were held, three at the University of Minnesota, and one in a private home. Due to the growth of membership, meetings were held both day and evening, and some meetings were held at member homes. Members were expected to provide proof each year that they were productive weavers. A Board of Directors was added and first met in 1949.
Two swatches woven in cotton threads and draft mounted on heavy paper. The swatches show several treadling variations. The swatches illustrate warp patterning with thick and thin threads. The swatches are 16 x 8 cm and 19.5 x 7.7 cm.
Drafts are presented on a sheet of 18cm by 11cm notebook paper. The title "Two-Color Threadings (Atwater bulletin February 1947)" is typewritten. Five drafts, hand-drawn on graph paper, are glued to the sheet. Treadling order is typed below each draft. Three swatches, woven by Hilma Berglund using cotton carpet warp for both warp and weft, show color and weave variations. Swatch A (labeled using the blank from the side of a sheet of stamps) follows the draft. Swatch B has two variations;, the draft B treadling and the draft D treadling. Swatch C has three sections: light weft, dark weft, and light and dark weft alternating. The first 2 sections have treadling variations.
Hilma Berglund created this Christmas card in 1960. It is printed in purple ink on white paper with a red handmade envelope. The lines of the text form the shape of a Christmas tree; the card folds into the shape of a rocket. At its longest and widest points the card measures 17 x 10 cm. The envelope measures 12.75 x 18 cm.
A woven swatch of uphostery material woven by Hilma Berglund with thread samples and threading and treadling information. The index card reads "Warp: Gray carpet warp, set 15 to inch; Weft: Chartreuse cotton , Blue boucle rayon and cotton, Rose nubby rayon and cotton, red linen for binder; Threading: 4/3/4/1/2/1. C B R red Treadling: 3-4,1-2,3-4,1-3,1-2,3-4,1-2,2-4 Hilma Berglund" C B R red refers to the rotation fo the weft colors throughout the treadling sequence, i.e. Chartreuse, Blue, Rose, Red are repeated.
Five typewritten pages show 100 treadling variations that can be used for four shaft plain or twill threadings. This was part of a group project of the Twin City Weavers' Guild. The 5 accompanying swatches (17cm wide) woven by Hilma Berglund, use cotton carpet warp for both warp and weft demonstrate most of these possibilities. New labels are attached to replace original cellophane tape labels. Note to the text explains her numbering system. The information about the fifth sample is handwritten on cardboard. Scans of the first 4 swatches have the long side folded to show the reverse side of the weaving.
Hilma Berglund printed this card in black ink on red paper, cut into a triangle, mounted onto slightly larger triangles of aqua and black paper, and trimmed with silver lurex thread. An envelope and letter match the aqua paper trimming the card. The card is 9 x 21 cm. There are two handwritten note on the letter.
This handwritten letter dated January 4, 1940 on Seattle Weavers' Guild letterhead encouraged Hilma Berglund to form a guild in the Twin Cities area. It speaks to the benefits of weavers meeting monthly for programs and sharing of resources. It is addressed to Hilma's University of Minnesota address in Jones Hall.
This handwritten report summarizes the Minnesota Weavers Guild presence at the 1958 Minnesota State Fair. The report includes a list of organizing committee members, a budget, and demonstrations. Hilma Berglund was a member of the committee.There was a stronger guild presence at the fair since it was the Centennial of Minnesota statehood. The report concludes with recommendations for future years.
Announcement for the 1950 Twin Cities Weavers Guild Institute in Weaving held at Jones Hall, University of Minnesota, Minneapolis, Minnesota. Includes names of attendees and techniques taught.
Announcement for Minnesota Weavers Guild seminar with instructor Harriet Tidball. The seminar/workshop was scheduled for February 29, March 1, and March 2, 1960 and was held at the Walker Art Center.