View from across the street of the Radio City Theater, Minneapolis, Minnesota, with a partial view of the vertical marquee. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View from above of a crowded lobby of the Radio City Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the facade and marquee of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Construction progress photo showing the structural framing of the auditorium of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the exterior corner of the Hollywood Theater, Minneapolis, Minnesota, showing the dwelling to the north of the building. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the exterior corner of the Hollywood Theater, Minneapolis, Minnesota, showing the dwelling to the north of the building. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the lounge in the lobby of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the East Lake Theater facade, Minneapolis, Minnesota, from the street. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Cabinet photograph of Truman Elwell Rickard (1881-1948) in winter attire. In 1904, as a University of Minnesota student, Truman Elwell Rickard (composed the music and wrote the original words for "Hail! Minnesota," which became the Minnesota state song in 1945. Rickard later married Grace Larson, a daughter of L.W. Larson, a prominant early Fosston settler.
Published on July 14, 1913, this cartoon shows the Underwood Simmons Tariff Bill being pushed onto the U. S. Senate stage by Senator Simmons, while the audience pellets the bill with eggs and vegetables labeled "Antagonist," "Criticism," and so on. Sen. Simmons, Chairman of the Senate Finance Committee, had arranged for the controversial bill to be introduced to the Senate for debate on July 14.
Published on December 10, 1908, this cartoon shows the Egg and the Potato addressing each other, "The Egg--'Hello, Small Potatoes and Few in a Hill, you needn't be so fresh. I knew your folks when you weren't worth 30 cents a bushel.' The Potato--'No one would accuse you of being fresh, and that's no joke. No doubt you can remember a good way back, all right, all right!'" The Egg's waistcoat is marked "Eggs 50 cents Doz." and the Potato's is marked "Potatoes 85 cents Bu." This dialog might be related to an article, published in the same edition of the newspaper, telling about the Minnesota Potato Growers and Shippers Association winning the support of the Interstate Commerce Commission for their demand that railroads provide heated cars for shipping perishable freight in freezing weather.
The March Lion, having just eaten the Spring Lamb, licks his chops. The cartoon reads, "Maltese cross indicates location of the lamb." Published March 6, 1915, this cartoon pokes fun at the harsh weather that often characterizes Minnesota's late winter.
Published in the Thursday, May 12, 1904, edition of the Minneapolis Journal with the caption "The Hoosier School Boy," this cartoon refers to the Indiana Democratic state convention, where Hearst followers challenged the convention majority, which had supported Judge Parker, by claiming unfair treatment. The claims were defeated, and the convention "instructed for" Parker. National Committeeman Thomas Taggert is portrayed as the teacher, while Hearst and the Indiana Democratic Convention are portrayed as school boys, one a privileged prankster, the other a poor pupil who reads aloud the instructions for Parker and Taggert.
Published on the front page of the March 2, 1904, edition of the Minneapolis Journal, this cartoon depicts a husband and wife having coffee at their dining room table. The husband is shaking salt onto the front page of the "Daily Newspaper," whose headlines include "Gigantic Victory for Russian Arms." In the published version, which includes caption and dialog, the wife asks, "Why, John, what in the world is the matter?" He replies, "I'm just taking this St. Petersburg story with a little salt." This is a reference to public response to unconfirmed reports coming from St. Petersburg, Russia, that Russian army forces had overwhelmingly defeated Japanese forces in a land battle in northern Korea, and that a sea battle near Port Arthur had resulted in the sinking of Japanese boats.
Published on Thursday, May 6, 1909, this cartoon is divided into two frames. The upper frame shows wheat from Canada being led to flour mills in the United States by the "Tariff Provision by which Canadian wheat may be milled in the United States and have drawback of duty when exported as flour." Its caption reads, "The wheat must go to the mills." The lower frame shows United States flour mills running toward the Canadian border, where a smiling wheat figure beckons to them. Here, Uncle Sam, holding a shepherd's crook tagged "Any kind of a drawback," pursues the mills, hoping to hold them back. This frame's caption reads, "Or the mills will go to the wheat."
Depositors are walking into the U. S. Postal Savings Bank, which is shown as occupying a giant Uncle Sam's hat. In the background are homes and factories.
A man wades through Lake Excelsior in the pouring rain as various animals comment on his plight. This cartoon appeared in the Minneapolis Journal on May 24, 1909.
Published on May 22, 1912, this cartoon shows "Champ" Clark, standing by a fence labeled "Minnesota Presidential Field"and pointing to a dog with a human face. Clark tells a boy, "Minnesota Politics," who has tied a bucket to Clark's dog's tail, that Republican Congressman Charlie Towne shouldn't be kicked around.