This cartoon, published on April 11, 1903, in the Minneapolis Journal, portrays Tom L. Johnson, Cleveland mayor and Democratic contender for his party's nomination for both the Ohio governor's race and the presidential election. Johnson is shown driving an automobile labeled "Auto-Reform" past "Aunty Democracy." Johnson's car is kicking up clouds of dust representing his radical ideas and Socialism. Behind, the Democratic donkey plods along, his ears marked "Old Ideas Dem." The published cartoon's caption read, "A little too fast for Aunty," with the sub-caption, "Aunty Democracy--The odor's pretty bad, Tom--Your new-fangled rig may be all right, but I guess I'll stick to the old donkey yet awhile."
This cartoon, published on July 16, 1912, shows a man standing outside a grocery store, looking at displays of rain gear. The store's proprietor stands in the doorway.
Minnesota Governor John Lind and Minnesota State Democratic Central Committee Chairman L. A. Rosing are shown standing outside the Parker Stables, hanging onto a rope attached to the Minnesota Democratic donkey, who is being tempted by William Randolph Hearst with a pail marked by a dollar sign and containing ears of corn. This cartoon appeared in the Friday, April 1, 1904, edition of the Minneapolis Journal and refers to Minnesota political attitudes toward two of the contenders for nomination to run for president on the Democratic ticket, Hearst and Judge Parker.
This cartoon shows Uncle Sam, the G.O.P. elephant and the Tariff catching Cold Storage in the act of raiding a pantry containing eggs, butter, and other foods.
Published on May 22, 1912, this cartoon shows "Champ" Clark, standing by a fence labeled "Minnesota Presidential Field"and pointing to a dog with a human face. Clark tells a boy, "Minnesota Politics," who has tied a bucket to Clark's dog's tail, that Republican Congressman Charlie Towne shouldn't be kicked around.
A man wades through Lake Excelsior in the pouring rain as various animals comment on his plight. This cartoon appeared in the Minneapolis Journal on May 24, 1909.
Depositors are walking into the U. S. Postal Savings Bank, which is shown as occupying a giant Uncle Sam's hat. In the background are homes and factories.
Published on Thursday, May 6, 1909, this cartoon is divided into two frames. The upper frame shows wheat from Canada being led to flour mills in the United States by the "Tariff Provision by which Canadian wheat may be milled in the United States and have drawback of duty when exported as flour." Its caption reads, "The wheat must go to the mills." The lower frame shows United States flour mills running toward the Canadian border, where a smiling wheat figure beckons to them. Here, Uncle Sam, holding a shepherd's crook tagged "Any kind of a drawback," pursues the mills, hoping to hold them back. This frame's caption reads, "Or the mills will go to the wheat."
Published on the front page of the March 2, 1904, edition of the Minneapolis Journal, this cartoon depicts a husband and wife having coffee at their dining room table. The husband is shaking salt onto the front page of the "Daily Newspaper," whose headlines include "Gigantic Victory for Russian Arms." In the published version, which includes caption and dialog, the wife asks, "Why, John, what in the world is the matter?" He replies, "I'm just taking this St. Petersburg story with a little salt." This is a reference to public response to unconfirmed reports coming from St. Petersburg, Russia, that Russian army forces had overwhelmingly defeated Japanese forces in a land battle in northern Korea, and that a sea battle near Port Arthur had resulted in the sinking of Japanese boats.
Published in the Thursday, May 12, 1904, edition of the Minneapolis Journal with the caption "The Hoosier School Boy," this cartoon refers to the Indiana Democratic state convention, where Hearst followers challenged the convention majority, which had supported Judge Parker, by claiming unfair treatment. The claims were defeated, and the convention "instructed for" Parker. National Committeeman Thomas Taggert is portrayed as the teacher, while Hearst and the Indiana Democratic Convention are portrayed as school boys, one a privileged prankster, the other a poor pupil who reads aloud the instructions for Parker and Taggert.
The March Lion, having just eaten the Spring Lamb, licks his chops. The cartoon reads, "Maltese cross indicates location of the lamb." Published March 6, 1915, this cartoon pokes fun at the harsh weather that often characterizes Minnesota's late winter.
Published on December 10, 1908, this cartoon shows the Egg and the Potato addressing each other, "The Egg--'Hello, Small Potatoes and Few in a Hill, you needn't be so fresh. I knew your folks when you weren't worth 30 cents a bushel.' The Potato--'No one would accuse you of being fresh, and that's no joke. No doubt you can remember a good way back, all right, all right!'" The Egg's waistcoat is marked "Eggs 50 cents Doz." and the Potato's is marked "Potatoes 85 cents Bu." This dialog might be related to an article, published in the same edition of the newspaper, telling about the Minnesota Potato Growers and Shippers Association winning the support of the Interstate Commerce Commission for their demand that railroads provide heated cars for shipping perishable freight in freezing weather.
Published on July 14, 1913, this cartoon shows the Underwood Simmons Tariff Bill being pushed onto the U. S. Senate stage by Senator Simmons, while the audience pellets the bill with eggs and vegetables labeled "Antagonist," "Criticism," and so on. Sen. Simmons, Chairman of the Senate Finance Committee, had arranged for the controversial bill to be introduced to the Senate for debate on July 14.
Cabinet photograph of Truman Elwell Rickard (1881-1948) in winter attire. In 1904, as a University of Minnesota student, Truman Elwell Rickard (composed the music and wrote the original words for "Hail! Minnesota," which became the Minnesota state song in 1945. Rickard later married Grace Larson, a daughter of L.W. Larson, a prominant early Fosston settler.
View of the East Lake Theater facade, Minneapolis, Minnesota, from the street. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the facade and marquee of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Construction progress photo showing the structural framing of the auditorium of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the exterior corner of the Hollywood Theater, Minneapolis, Minnesota, showing the dwelling to the north of the building. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the exterior corner of the Hollywood Theater, Minneapolis, Minnesota, showing the dwelling to the north of the building. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the lounge in the lobby of the Hollywood Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Partial view of the marquee of the Radio City Theater, Minneapolis, Minnesota, with crowd of theater-goers at night. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Partial view of the marquee of the Radio City Theater, Minneapolis, Minnesota, with crowd of theater-goers at night. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View from across the street of the Radio City Theater, Minneapolis, Minnesota, with a partial view of the vertical marquee. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View from above of a crowded lobby of the Radio City Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of a table lamp for the Riverview Theater, Minneapolis, Minnesota. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the auditorium of the Suburban World Theater, Minneapolis, Minnesota, taken from above. This theater was also known as the Granada Theater. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
View of the auditorium of the Suburban World Theater, Minneapolis, Minnesota, taken from above. This theater was also known as the Granada Theater. Liebenberg and Kaplan, Architects (1919-1969), were noted for designing more than 200 motion picture theatres in the Upper Midwest, many of the early ones featuring an art deco style.
Contributing Institution:
University of Minnesota Libraries, Northwest Architectural Archives
Elmer Albinson was a director of the American Swedish Institute. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Looking upwards at the turret on the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Served in the Minnesota Legislature: House 1975-80 (District 54A); Senate 1981-82 (District 54); Senate 1983-92 (District 57); Senate 1993-96 (District 58). For biographical information, see the Minnesota Legislative Reference Library database at: http://www.leg.mn/legdb/fulldetail.asp?ID=10348
Served in the Minnesota Legislature: Senate 1990-92 (District 61); Senate 1993-2000 (District 62). For biographical information, see the Minnesota Legislative Reference Library database at: http://www.leg.mn/legdb/fulldetail.asp?ID=10184
Served in the Minnesota Legislature: House 1974-76 (District 61A); Senate 1977-82 (District 61). For biographical information, see the Minnesota Legislative Reference Library database at: http://www.leg.mn/legdb/fulldetail.asp?ID=10334
Served in the Minnesota Legislature: House 1977-78 (District 61A); House 1981-82 (District 61A); House 1983-86 (District 62B); Senate 1987-90 (District 62). For biographical information, see the Minnesota Legislative Reference Library database at: http://www.leg.mn/legdb/fulldetail.asp?ID=10073
Served in the Minnesota Legislature: House 1973-80 (District 59A); Senate 1981-82 (District 59); Senate 1983-92 (District 60); Senate 1993-Present (District 61). For biographical information, see the Minnesota Legislative Reference Library database at: http://www.leg.mn/legdb/fulldetail.asp?ID=10047
Aerial view of downtown Minneapolis from the roof of the Hennepin County Government Center facing south. I-35W freeway is near top left; Curtis Hotel near center; Minneapolis Auditorium near top right.
Three women typing at keypunch machines using punch cards in the basement of the Main Welfare Building, on the corner of 4th Avenue South and 5th Street South in Minneapolis.
Man adjusts dial on IBM System 360 Model 30 computer in the basement of the Main Welfare Building, on the corner of 4th Avenue South and 5th Street South in Minneapolis.
Man works with reel-to-reel magnetic tape in the basement of the Main Welfare Building, on the corner of 4th Avenue South and 5th Street South in Minneapolis.
View of the Park Avenue side of the mansion from the front gate. Sign installed to the right of the gate gives the gallery hours. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Bench and painting in the breakfast room of the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
The Turnblad mansion music room is adorned with 52 cherubs carved by Ulrich Steiner. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
View of the Swan J. Turnblad residence from Park Avenue. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Park Avenue facade of the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Exterior view of Swan J. Turnblad mansion from northeast corner. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Ballroom stage and skylight, third floor, Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Professors John B. Wolfe (piano), Robert Solheim (trumpet), J. Lamoine De Rusha (middle saxophone) and others provide music for a party in the Oak Room at the Park Avenue location.
Art Nouveau style bedchamber on the second floor of the Turnblad mansion, also known as the Blue Room. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
This room was originally a guest bedroom, and has housed many exhibits on Swedish life, including weaving, over the years. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
American Swedish Institute board around a table in the Turnblad mansion, Mike Holm as president, Lillian Turnblad on his left. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
This shows the breakfast room without furniture. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Side table and two chairs against one wall of the breakfast room in the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Bench and kakelugn or tile stove in the breakfast room of the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Kakelugn and bench seat in the breakfast room of the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Two trolls and a maiden carved in a wreath by Ulrich Steiner adorn the dining room fireplace in the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Carved figures on either side of the clock represent day and night, one with eyes open and one with eyes closed. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Dag Hammarskjold, United Nations Secretary General, on left, with Stanley Berglund, trustee of the American Swedish Institute, examining Swedish artifacts on exhibit.
Close-up of carving by Ulrich Steiner for the dining room sideboard in the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
This is a close-up of the carving detail on the side-board carved by Ulrich Steiner for the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
This shows one of the "barbarians" holding up the fireplace in the grand hall of the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Ribbons and garlands decorate the walls of the breakfast room in the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Table, chandelier, and fireplace in the Turnblad mansion dining room. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Dining room table set for Christmas by Mrs. Tage Pousette. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Interior view of the dining room fireplace carved by Ulrich Steiner. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Straw figures and creche in front of the dining room fireplace. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Candelabra, font, and textiles on exhibit in the Turnblad mansion. View also shows details of the third floor studio windows. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Single-story view of the carved mahogany fireplace in the grand hall of the Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
View of the Turnblad mansion main staircase from the grand hall, fireplace on the right. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Members are gathered for dinner at the West Hotel in Minneapolis. The 10th Convention of the Minnesota Association of the Deaf was held in Minneapolis during June 30-July 2, 1909. Writing on the back of the photo reads: "Tenth Convention, Minn. Association of the Deaf, Banquet at West Hotel, Minneapolis, July 2, 1909." The man with a dark mustache and beard sitting in the back is Anson Spear. The man sitting in the back, on the right side of the middle window, is Anton Schroeder. The man sitting in the back, on the left side of the rightmost window, is Dr. James L. Smith.
Members are gathered outside in front of a monument-like structure. The 10th Convention of the Minnesota Association of the Deaf was held in Minneapolis during June 30-July 2, 1909. The man standing on the left side, to the left of a woman with a hat full of flowers and a noticeable belt buckle, is Dr. James L. Smith. To the right of Dr. Smith are the unknown woman with the flower hat, an unknown child, an unknown woman, and then Louis Albert Roth in a dark jacket and tie. The man with a thick dark mustache and beard in the back, near the center, is Anson Spear. To the right of Anson Spear (in the same row) are two unknown women and then Anton Schroeder. To the right of Anson Spear is an unknown woman with a bow tie, and then standing in front of her is Jay Cooke Howard (bald man).
Grand piano and fireplace in the music room, Turnblad mansion. Completed in 1908, the Swan J. Turnblad mansion was built in the French Chateauesque style. The house became the American Swedish Institute in 1929.
Nils Hasselmo, former University of Minnesota president, is drinking champagne with Pat Hasselmo and Per Forshell. Nils Hasselmo is in the center, Pat Hasselmo is on the right and Per Olof Forshell, Swedish konsul, is on the left.