A photograph taken by Paulsen Studio of the 1934 Mora High School band in concert. The photograph includes Sando; Archie Powers; Jensen; Cecelia Gene; Roger Andrews; Alvin Mattews; Werner Mattews; Elmer Watter; C. M. Elzca (director); Doroth Soderstrom; Howard Peterson; Bruce Buck; Ralph Fairbanks; Muriel Randall; Charlotte Peterson; Water Johnsn; Myron Stolle; Alma Moe; Collis Williams; Irving Ahlquist' Duane Jenney; Maxine Andrews; Mary Jane Peterson; Geneva Rostberg; Carl Dixon; Barbara Hall; Hubert Olson; Dowthea Holland; Rosalie Richardson; Malba Klapmeier; Lawrence Peterson; Willard Richardson; Keith Andrews; Pat Malcolm; Willard Bancroft; Guman Beckstrom; Emma gene; Gerhardt Klatt; Thea Horne.
A photographic post card of the Mora High School's cast of "A Midsummer Night's Dream", from February 11th, 1916, with Joseph Gorelheme; Berton McPheison; Howard P.; Roy B.; Rouge; Peterson; Rouge; Farrington; McGillivary; and the remaining students unidentified. Includes other listed names now illegible on the back of the card.
A cropped photograph of the 1930 Mora Hgh School Band, with "orchestra 1930" written at the top. The photograph includes fifty nine students including Dorthy Alquist; Marim E.; Lucille Richardson; Rasslie Richardson; Willard Richardson; Margart Anderson; Karen H.; Dorthy Hanson; Gladys Zetterberg; Karen Karen; Rose Mich; Roberta H.;Paul B.; and C. M. Elzia directing, with the remaining students unidentified.
A photograph of the 1930 Mora Hgh School Band, with fifty nine students including Dorthy Alquist; Marim E.; Lucille Richardson; Rasslie Richardson; Willard Richardson; Margart Anderson; Karen H.; Dorthy Hanson; Gladys Zetterberg; Karen Karen; Rose Mich; Roberta H.;Paul B.; and C. M. Elzia directing, with the remaining students unidentified.
This card has been glued onto its envelope. Hilma Berglund printed this card in purple ink on cream colored card stock. A tiny (1 x .75 cm) purple woven sample is glued onto the image of the table loom that she designed. Threads from the weaving radiate from the loom to a list of west coast cities that she visited. When posting the card, Hilma chose ink and stamp colors to match the card.
Hilma Berglund printed this Christmas Card with maroon ink on cream paper. The image is a bridge with supports labeled "composure, confidence, perseverence (sic), self-discipline, thoughtfulness, friendliness, cheerfulness, reliability, courtesy, patience."
This card has been glued to its handmade envelope. Hilma Berglund printed this card with red ink on tan paper. The card is accordian folded with progressively wider folds, which when opened reveal stanzas of a poem. An image of waves trims the bottom edge.
Hilma Berglund created this trifold card in her 24th year of teaching at the University of Minnesota. It is printed in red ink on off-white paper. The card features a printed image of a horn and a pair of cymbals. A cardboard frame filled with fine linen threads covers the image.
Hilma Berglund printed this card with black ink on red card stock, then folded. Silver lines were added on the sun image. The card depicts the sun shining down on the earth.
Hilma Berglund printed this Christmas Card in black ink on red cardstock. A sheet of tinted vellum covers the angel imagery on the upper 2/3 of the card, causing the ink to appear green. Three angels and four pairs of wings are arranged in the form of a Christmas tree with a gold star applied at the top.
This card has been glued onto a scrapbook page. Hilma Berglund printed an image of the sky line as viewed from her home. It is printed in brown, yellow and orange ink on cream paper.
Hilma Berglund created this card in 1955 on blue paper. It contains both text and a woven sample. The actual card is 34 x 5 cm and when folded fits into a handmade envelope which is 18 x 5.5 cm. The card is printed with purple ink on blue paper. The swatch warp is of multicolor linen and lurex threads, woven with lurex weft. The 2.5 x 2.5 cm swatch is plain weave.
Hilma Berglund created this Christmas card in 1959. It is printed in red ink on tan card stock and has a matching envelope. The text is bordered by two woven swatches. The upper swatch is white with metallic thread and the lower swatch is multi-colored. The card measures 17.5 x 10.5 cm, the envelope is 11. 5 x 14.25 cm.
Hilma Berglund created this Christmas card in 1960. It is printed in purple ink on white paper with a red handmade envelope. The lines of the text form the shape of a Christmas tree; the card folds into the shape of a rocket. At its longest and widest points the card measures 17 x 10 cm. The envelope measures 12.75 x 18 cm.
Hilma Berglund created this Christmas card in 1945. It is hand lettered in brown ink on off-white stationery. Samples of natural dyed wool yarns are inserted along the left side. Three dark brown strands represent a tree trunk. These are interwoven with 1 inch strands of pale green, light brown, rust and gold yarns representing branches. The card when opened measures 18.5 x 15.3 cm.
Hilma Berglund created this Christmas card in 1961. A general holiday letter is included with a handwritten note at the bottom. The card is printed in burgundy ink on gray paper, with a matching envelope. When open, the card measures 21.5 x 16.5 cm. The envelope is 11 x 17 cm.
Hilma Berglund screen-printed this Christmas card in 1966 using dark blue ink on ivory card stock. There is a matching envelope and enclosed letter on ivory paper. The top features a nature scene with birds, ferns, flowers and mushrooms silhouetted against a blue background. The card measures 12.4 x 14.5 cm.
Hilma Berglund printed this Christmas card in 1965, using dark brown ink on bittersweet paper, trimmed with yellow and orange paper. Below the fold she applied a light wash of ink to create a slightly darker background. The card when unfolded is 10.3 x 22.5cm.
Hilma Berglund created this Christmas card in 1969 using green ink on a 6 3/8inch (16.2 cm) diameter white cardboard circle. Line drawings of nature decorate the inner part of the circle. Printed in the center is her name encircled by Happy Christmas 1968 and New Year 1969.
Hilma Berglund printed this card in black ink on red paper, cut into a triangle, mounted onto slightly larger triangles of aqua and black paper, and trimmed with silver lurex thread. An envelope and letter match the aqua paper trimming the card. The card is 9 x 21 cm. There are two handwritten note on the letter.
Hilma Berglund screen-printed this Christmas card in 1967 using reddish brown ink on cream cardstock. The card is cut into a triangle and sand particles are glued along the two long edges. The card was accompanied by her 1967 Christmas letter. The card measure 8.3 x 21.5 cm.
Hilma Berglund printed this card in red ink on bright gold cardstock. At the top is an image of the sun rising, and a magnifying glass image highlights the words "search" and "good" in the text. There is a matching envelope. When open the card measures 21.5 x 10.5 cm.
Hilma Berglund created this Christmas card in 1964. She reverse printed it on yellow card stock using purple ink so that the lettering and star design show as yellow on a purple background. There is a matching yellow envelope. The card is 16 x 8.25 cm.
Hilma Berglund created this Christmas card in 1958. It is printed with green ink on off-white cardstock, when folded it creates its own envelope. The lines of the text form the shape of the state of Minnesota.
Hilma Berglund created her 65th and last handmade Christmas card in 1971. It is printed in black ink on tan paper. The bottom third of the paper is folded up with a window cut out to frame a woven swatch. The swatch is woven in shades of brown, aqua and orange, using cotton threads, with one gold metallic thread, in plain weave. The card folds to form its own envelope. A type written note is inserted which says that it is her last Christmas card. On the reverse is a handwritten note. The card when opened is 19 x 16 cm.
Group of musicians, including Anderson, Arthur Martinson and Hjalmar Peterson, third from right, who performed as Olle I Skratthult. Woman is Hjalmar's wife Olga Lindgren-Peterson.
Dr. Marion Nelson, art historian, poses with Dr. John Lofgren of the American Swedish Institute at the opening of the Carl Sprinchorn exhibit, Minneapolis, Minnesota.
Plaque recognizing longtime St. Olaf College choir director F. Melius Christiansen of Northfield, Minnesota at his retirement from active direction of the Lutheran Choral Union.
Dag Hammarskjold, United Nations Secretary General, on left, with Stanley Berglund, trustee of the American Swedish Institute, examining Swedish artifacts on exhibit.
Fifth issue of the third volume of "The Minnesota Weaver" newsletter by the Weavers Guild of Minnesota published in February 1978 and containing descriptions of upcoming programs, exhibits, and a Guild auction benefit; a summary of the December/January board and Guild meetings; a list of proposed revisions to the guild by-laws; reports from the the president and administrative assistant, the Publicity and the Fiber Fair committees; a biography of guild member Irene Wood; the columns "Garments", "From Woods & Fields", "The Rigid Heddle", and "Telas de los Muertos"; Library and school news; and a flyer of schedule changes.
Sixth issue of the fourth volume of "The Minnesota Weaver" newsletter by the Weavers Guild of Minnesota published in March 1979 and containing descriptions of upcoming workshops, programs, exhibits, and a silent auction; a summary of the January board meeting; a report from the Guild coordinator, and on February programs on textile preservation and on yarn; school and library news; biographies of Alexandra Cervenka, Pat Warner, M. Susan Brock, Beth Lehet, and Ann Scher; the columns "Garments," "From Woods & Fields," "Guilds Elsewhere," "As the Wheel Turns," and a swatch page on double weave.
Fourth issue of the sixth volume of "The Minnesota Weaver" newsletter by the Weavers Guild of Minnesota published in December of 1980 and containing a reminder of the upcoming Guild meeting, a summary of the October board meeting and the Treasurer's report, an annual report from the secretary, and school news.
Fourth issue of the fifth volume of "The Minnesota Weaver" newsletter by the Weavers Guild of Minnesota published in February 1980 and containing descriptions of upcoming workshops, programs, and exhibits; a summary of the November board meeting and treasurer's report; reports from the Fiber Source committee and the guild coordinator; school news; the columns "Weaving Myth and Magic" and "From Woods & Fields"; and an article on a Guild exhibit on spinning and dyeing.
Second issue of the fourth volume of "The Minnesota Weaver" newsletter by the Weavers Guild of Minnesota published in October 1978 and containing descriptions of the upcoming shows, exhibits, and the October Guild meeting; a schedule of 1978-1979 guild programs; reports from the Guild coordinator and president; school and library news; the columns "From Woods & Fields" and "As the Wheel Turns"; a swatch page on double weave; and articles on the Guild's move to a new facility, a workshop with Ken Weaver, and the upcoming Fiber Fair.
Eighth issue of the fifth volume of "The Minnesota Weaver" newsletter by the Weavers Guild of Minnesota published in the summer of 1980 and containing descriptions of upcoming workshops, programs, and exhibits; a summary of the May annual meeting; reports from the Fiber Source and Fiber Fair committees, and from the newsletter editor; library and school news; and the columns "From Woods & Fields", "We Have a Past", and "Cooks Corner".
Second issue of the fifth volume of "The Minnesota Weaver" newsletter by the Weavers Guild of Minnesota published in November 1979 and containing descriptions of upcoming workshops, programs, and exhibits; reports from the Fiber Source committee, the president, and the guild coordinator; school news; the columns "As the Wheel Turns" and "We Have a Past"; and an article on a Guild faculty exhibit.
Seventh issue of the third volume of "The Minnesota Weaver" newsletter by the Weavers Guild of Minnesota published in April 1978 and containing descriptions of upcoming meetings, workshops, exhibits, tours, and a silent auction; a summary of the March board meeting; reports from the administrative assistant, treasurer, and president; school and library news; biographies of Lotus Stack, Sue Baizerman, and Connie Magoffin; the columns "Guilds Elsewhere", "Garments", "Rigid Heddle", "From Woods & Fields", and "Telas do los Muertos"; an article on West African textiles; and a registration form for a spinning workshop.