Lila Johnson was the Valedictorian and Ellen Suominen was the Salutatorian of their classes, and their respective speeches were printed in the paper. The commencement program was detailed, as was the baccalaureate sermon, given by Superintendent A. L. Winterquist. There was a small photo of the seniors, as well as their class history and a Who's Who of the Senior class listed with the organizations in which they participated by year. A Luther League meeting and program was announced. Also included was a senior class will and prophesy section. The 4-H Club presented a three act comedy play. There was 4-H Club Achievement Day in Cloquet. The senior class hall of fame was listed. Basketball players were given awards such as sweaters and letters. The seniors were entertained at a banquet given at the Winterquist's home, by the Winterquists, with a meal, games, and contests. The seniors motored to Cloquet to have their photos taken at a studio. Members of the Lincoln School orchestra were listed along with the instruments they played. George Kivisto won honors at an invitational track meet held at Cloquet, winning first place in the discus throw and setting a new record, as well as winning third place in shot-put. Seniors were honored at a banquet put on by the juniors. The girls' volleyball and indoor baseball tournaments were held at Lincoln School. A boys' and girls' track tournament was held at Barnum. Boys' track members attended an invitational meet at Cloquetd. Girls who participated in spring sports were named. There were advertisements by the following businesses: Juntti Bros.; Arrowhead Cooperative Creamery; and Cloquet Cooperative Society.
Volume 2, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in 1976. Contents include the Minnesota Artists Exhibition Program; proposal of various committees for MCC; report on the National Endowment for the Arts' Master Craftsman Apprenticeship Program; potter Nils Lou and apprentice Howard Kiefer; the Twin Cities Metropolitan Arts Alliance; information on services, health insurance, taxes, legal assitance, and other legal issues for artists; the formation of a gallery and studio space for the Women's Art Registry of Minnesota (W.A.R.M); and summary of the 1976 Minnesota Crafts Festival.
Volume 1, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in 1976 and is labeled the Snap Shot Show. Contents include an editorial on the art community and the artist's relation to society; a no-jury snap shot show featuring 82 slide images of works created by Craft Connection readers; and tips for taking good slide images, including information on cameras, types of lighting, lighting set up, and image storage.
Volume 1, number 3 of Minnesota Crafts Council (MCC) Craft Connection was published in 1975 and is centered around art fairs. Contents include reflections on art fairs; Nelson Brown's art fair List; personal reflections on juried art fairs; collection of thoughts on art fairs from artists; profiles of popular midwest art fairs (Lakefront Festival of Arts, 57th Street Art Fair, Ann Arbor Street Art Fair, and Minnesota Craftspeoples Festival); art fair questionnaire; Twin Cities first Street Artist Guild; order forms for a corks sale at Minnesota Clay Company; order forms for the Lien Kick Wheel from Atypical Woodwork & Design; and a review of Pyroman Meets Gorilla, a workshop with clay artists Don Reitz and Peter Voulkos.
Volume 3, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1977 and is centered around marketing crafts. Contents include a note on the publication's new logo and look designed by Jan Van Dyke; call for artists for the year's Minnesota Crafts Festival; profile of glass artist Dick Huss; profile of abstract painter and stained glass artist Eric Sealine; three craft shops (Art Crate, Behind-the-Brewery Gallery, and Stoneflower Contemporary Crafts) and their differing business approaches; The Brewery Works, a brewery complex repurposed into a studio and gallery space; profile of potter John Coiner; art gallery cooperatives The Fourth Street Gallery, Pioneer Crafts Co-op Store, and Cedar Workshop; and a report on the National Association of Handcraftsmen's marketing conference and session and workshop summaries. Also includes a newspaper insert about John Coiner.
Volume 4, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1978 and is centered around collecting. Contents include a profile of jewelry artists and metalsmiths Mike and Carolyn Lenz; art and craft collecting; professional craft collecting; collections of functional ceramics; collectors in the North Lake Superior region; Art Morrison's journey collecting Mexican clay figures; and an extensive list of upcoming art fairs across the midwest.
Volume 3, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in August 1977 and is centered around traditional crafts. Contents include a report 1977 Minnesota Crafts Festival, including award winners and statistics; profile of blacksmith Dan Kral; an extensive list of upcoming art fairs across the midwest; crafts at Gibbs Farm Museum; Columbia College's Ethnic and American Folk Arts Project to preserve traditional craft skills; and a show of American pottery dated from the colonial period to 1910.
Volume 3, number 6 of Minnesota Crafts Council (MCC) Craft Connection was published in December 1977 and is centered around craft education. Contents include a report on the MCC Annual Meeting from various committees; profile of potter Donald Frith; Minneapolis's Urban Arts program, which offers art instruction to students; a history of crafts at the University of Minnesota; art spaces in colleges and universities; Minnesota's Arts in Corrections program, which offers art instruction to incarcerated juveniles; and photographs from 'Media Exploration' workshops sponsored by the Minneapolis College of Art and Design.
Volume 3, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in February 1977. Contents include a note from the editor about the publication's new tabloid format and subscription price; news about the MCC membership meeting and standing committees; profile of ceramic artist Dr. Paul S. Donhauser, the first American to receive first place honors in the International Competition of Ceramics in Faenza, Italy; the Craft Alliance Gallery in Missouri; level of support for crafts in Minnesota's art institutions; photographs of artworks from an MCC juried exhibition and statement from judge Martha Benson; the Wisconsin Designer-Craftsmen organization; the Rochester Art Center; the recent opening of Kichang Cho's Mano Galleries in Illinois; the challenges of running an ultimately unsuccessful gallery; review of the 'Craft Multiples' exhibit at the Octagon Center for the Arts; and a national conference about marketing crafts.
Volume 4, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in February 1978 and is focused on wood crafts. Contents include a profile of wood artists Donna and Robert Pitz; six wood craftsmen who share a studio space; working as a self-employed artist; depictions of lumberjack life at the turn of the 20th century; reflections from midwestern wood artists; and the 'Supermud' clay conference in Pennsylvania.
Volume 21, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1997. The story on the front page profiles basket maker Keith Raivo. Other contents include the celebration of the 25th Minnesota Craft Festival; Margaret Gordon, winner of the Fiber/Metal Arts Pursuing Excellence award; the closure of Craft Connection Gallery; expanded categories of MCC membership; and a strategic plan proposal from the MCC Board of Directors.
Volume 14, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1990. On the front page is a photo of a lap robe by weaver Nann Miller. Other contents include a letter from Congressmember Gerry Sikorski regarding the Helms amendment to the Interior Department and Related Agencies Appropriations Bill; information about the 1990 MCC Annual Meeting, including some highlights of Red Wing, the meeting's location; spotlights on five galleries in the 50th and France Avenue area of Minneapolis (New Dawn Gallery, Off the Wall, Mixed Media, White Oak Gallery, and Raven Gallery); profile of multimedia artist Lynette Schmidt; monthly highlights from MCC in 1989; the Craft Emergency Relief Fund and the creation of a Bay Area Earthquake Fund in response to a California earthquake; the 'Arts Over Aids' Task Force; and two exhibitions in Leigh Yawkey Woodson Art Museum in Wisonsin ('The Twelve Days of Christmas,' and "American Folk Art from the Milwaukee Museum).
Volume 22, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in the first quarter of 1998. On the front page is a photo of glass artist Joe Becker at work. Other contents include the partnership between MC, the Minnesota Historical Society (MNHS), and MNHS Curator Marcia Anderson; a series of pottery workshops with Svend Bayer; potter Maureen Brockway and her work in establishing the Edina Art Center; profile of Joe Becker; a list of local, regional, and national summer workshops; and award winners fron the recent Fiber/Metal Arts show.